Summer Snapshots

8.10.22

In an article for the New York Times for Kids special section for July, Josh Ocampo interviews sixty-eight kids over the course of three summer days on Coney Island in Brooklyn. The iconic neighborhood is best known for its festive boardwalk along the beach, annual hot dog eating contest, and amusement parks, home of the Wonder Wheel and the Cyclone roller coaster. The article features quirky, silly, and sometimes serious responses to what they’ve experienced at the classic New York spot, such as taking their dog on the Ferris wheel, wearing a hat instead of sunscreen on their face, and how seagulls steal their hot dogs. Consider writing a story from the point of view of a kid spending the summer at a popular amusement park or beach boardwalk. What fleeting dramas take place during this hot and vigorous season?

Autotomy

“When in danger the sea-cucumber divides itself in two: / one self it surrenders for devouring by the world, / with the second it makes good its escape,” writes Wisława Szymborska in “Autotomy,” which appears in her collection Map: Collected and Last Poems (Houghton Mifflin Harcourt, 2015), translated from the Polish by Clare Cavanagh and Stanisław Barańczak. In the poem, Szymborska reflects on the creature’s process of autotomy, casting off a part of the body while under threat, through the lens of survival and mortality. She writes: “It splits violently into perdition and salvation, / into fine and reward, into what was and what will be.” Write a poem inspired by an animal’s unique behavior, perhaps the molting of a snake or the colorful courtship habits of a bowerbird. What does this behavior symbolize for you?

Submissions Open for the Masters Review Short Story Award for New Writers

The Masters Review is still accepting submissions for the Short Story Award for New Writers! Offered twice yearly for a short work of fiction by an emerging writer, the winner of this summer’s contest will receive a prize of $3,000 and publication in the Masters Review. In addition, the winning story will be sent to agents Victoria Cappello (Bent Agency), Sarah Fuentes (Fletcher & Company), Andrea Morrison (Writers House), Heather Schroder (Compass Talent), and Nat Sobel (Sobel Weber Associates) for review. Writers who have not published a book or who have published a book with a circulation of less than 5,000 are eligible to apply. All stories will be considered for publication.

Using only the online submission system, submit a short story of up to 6,000 words with a $20 entry fee by August 28. Chelsea Bieker, novelist and author of the short story collection Heartbroke, will judge. Visit the website for complete guidelines.

The mission of the Masters Review is to champion emerging writers, and they encourage all who apply to their Short Story Award to “dazzle us, take chances, and be bold.” Though the review focuses on literary fiction, there is no stylistic or topical preference for stories submitted. Writers will receive a response to their submissions by the end of November and the winner will be announced by the end of December. Past winners have received agency representation from Sarah Fuentes (Fletcher Company) and Victoria Marini (Irene Goodman Literary Agency), and one even went on to publish their short story collection with Grove Atlantic.   The mission of the Masters Review is to champion emerging writers, and they encourage all who apply to their Short Story Award to “dazzle us, take chances, and be bold.” Though the review focuses on literary fiction, there is no stylistic or topical preference for stories submitted. Writers will receive a response to their submissions by the end of November and the winner will be announced by the end of December. Past winners have received agency representation from Sarah Fuentes (Fletcher & Company) and Victoria Marini (Irene Goodman Literary Agency), and one even went on to publish their short story collection with Grove Atlantic.   

Ancient Trees

In an article for Atlas Obscura, Eden Arielle Gordon writes about the work of dendrochronologists dating the oldest tree in the world. Jonathan Barichivich is a Chilean scientist and grandson of a park ranger who discovered the Alerce Milenario, a Patagonian cypress in Chile’s Alerce Costero National Park. Barichivich’s careful calculations estimate the Alerce Milenario to be 5,474 years old, which would mean the cypress lived through several of the world’s most transformative events, including the development of writing, clocks, and the hydrogen bomb. Write a personal essay inspired by the discovery of this ancient tree. What would it mean to be over 5,000 years old? How would you reflect on the ways the world has changed?

Particulars

In an essay excerpt published on Literary Hub, which appears in Wonderlands: Essays on the Life of Literature (Graywolf Press, 2022), Charles Baxter writes about an exercise he would assign to his students in which they are asked to compile ten facts about one of their characters, encouraging them to consider “particularized details.” He writes: “For example, you can say, ‘She likes chocolate,’ but almost everybody likes chocolate. It’s better to say, ‘The only chocolate she will eat is imported from Mozambique.’” Try out this exercise and compile ten things you know about a new, invented character. Then, write a short story with this character at the core. How do these details inform the personality and actions of your protagonist?

Convex Mirror

The late poet and critic John Ashbery’s Self-Portrait in a Convex Mirror (Viking, 1975) is considered his masterpiece, having won the Pulitzer Prize, the National Book Critics Circle Award, and the National Book Award. The long title poem is a meditation on sixteenth-century Italian artist Parmigianino’s painting of the same name. Ashbery writes: “The surface / Of the mirror being convex, the distance increases / Significantly; that is, enough to make the point / That the soul is a captive.” This week write a poem about your reflection. Whether seen through a traditional mirror, a body of water, or a distorted lens, begin with a description of what you see and follow through with an inner reflection.

Upcoming Contest Deadlines

It’s hot out there, folks! Stay cool—or cooler, anyway—indoors while applying to some contests with deadlines of August 8, 9, 15, and 20. Among the awards are a $3,000 prize for a poetry collection; a $1,500 prize for a poem and a short story; a $1,000 prize for a book of innovative poetry, fiction, nonfiction, or hybrid-genre work; and $1,000 prizes for individual poems, works of flash fiction or nonfiction, and short stories. All contests offer a cash prize of $1,000 or more. Good luck!

Futurepoem Other Futures Award: A prize of $1,000, publication by Futurepoem, and 25 author copies is given annually for a book of innovative poetry, fiction, nonfiction, or hybrid-genre work “that challenges conventions of genre and language, content, and form.” The editors will judge. Entry fee: $28.

Gival Press Short Story Award: A prize of $1,000 and publication on the Gival Press website is given annually for a short story. Entry fee: $25.

Grayson Books Poetry Prize: A prize of $1,000 and publication by Grayson Books is given annually for a poetry collection. John Sibley Williams will judge. Entry fee: $26.

Indiana Review’s 1/2 K Prize: A prize of $1,000 and publication in Indiana Review is given annually for a poem or a work of flash fiction or creative nonfiction. Geffrey Davis will judge. All finalists will be considered for publication. Entry fee: $20 (which includes a subscription to Indiana Review); no fee for Black and/or Indigenous writers.

Kallisto Gaia Press Poetry and Short Fiction Prizes: Two prizes of $1,500 each and publication in Ocotillo Review are given annually for a poem and a short story. Zoë Fay-Stindt will judge the Julia Darling Memorial Poetry Prize and Jen Knox will judge the Chester B. Himes Memorial Short Fiction Prize. Entry fee: $20.

Omnidawn Publishing Open Book Prize: A prize of $3,000, publication by Omnidawn Publishing, and 100 author copies is given annually for a poetry collection. Shane McCrae will judge. Entry fee: $27; for an additional $3, entrants will receive a book of their choice from the Omnidawn catalogue. 

TulipTree Publishing Stories That Need To Be Told Contest: A prize of $1,000 is given annually for a poem, a short story, or an essay that “tells a story that needs to be told.” The winner will also receive a two-year subscription to the literary database Duotrope and publication in the annual Stories That Need to Be Told contest anthology. All entries are considered for publication. Entry fee: $20.

Weekend Getaway

7.28.22

As heat waves strike around the globe, many flock to beaches and parks for refreshment and recreation with friends and family. Although being out in the hot weather requires sunblock and stamina, weekend excursions ultimately provide an opportunity to disconnect from work life, day-to-day duties, and the overall stress that comes with modern society. Think back to a time you visited a favorite place to relax on a weekend. Was it a quiet spot under the shade of a tree, a nearby body of water to dip your feet into, or a hiking trail with an incredible view? Write an essay that explores this experience at your favorite place. Try telling the backstory of what was happening in your life to color the essay with context and depth.

Material Crisis

7.27.22

“My novel, An American Marriage, involves a husband and wife with an unusual challenge: Eighteen months after exchanging their vows, he is arrested and incarcerated for a crime he does not commit,” writes Tayari Jones in “Finding the Center” from an installment of our Craft Capsule series published in 2018. In the essay, Jones writes about the process of choosing the protagonist of her award-winning novel: “I discovered a fundamental truth of fiction and perhaps of life: The character with the most pressing material crisis will always be the center of the story.” This week, write a story in which you explore two sides of the same conflict between two characters. Whether by dividing the story into two parts, or weaving both perspectives together, how can you differentiate their individual stakes and perspectives?

Pure Verb

7.26.22

In Seamus Heaney’s poem “Oysters,” which appears in his 1979 collection, Field Work, the speaker faces an internal conflict in which he relishes in the “perfect memory” of eating oysters with friends while also dealing with the anger and “glut of privilege” that allows him such refined experiences. In the final sentence, as if avoiding the lingering guilt, Heaney writes: “I ate the day / Deliberately, that its tang / Might quicken me all into verb, pure verb.” Write a poem in which a moment of pleasure is met with guilt or shame. Bring both feelings into focus, digging into the complexity of the scene.

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