Apocryphal Birth

The Time Is Now
11.15.22

“Where are you from / is a question I field too much. Once / I said Vietnam and the white man said I fought there. / I loved the country. I love their people. / That’s the day I started to lie / about my birth,” writes Kien Lam in his poem “Lunar Mansions,” published in the May/June 2018 issue of the American Poetry Review, in which he recounts the apocryphal story of his birth. Lam weaves in the story of the birth of Jesus, often conflating it with his own: “In the stable / the horses kicked me from their wombs,” he writes. Write a poem that tells the apocryphal story of your birth incorporating, as Lam does, a fantastical tone.

Upcoming Contest Deadlines

G&A: The Contest Blog
11.11.22

With the fall season underway and a new month around the corner, get a jump start on submitting to contests with deadlines of November 30 and December 1! These awards present opportunities for queer writers as well as debut poetry and prose writers, among others. Plus, one lucky poet will win $3,000, publication of their manuscript, and the chance to give a reading under the auspices of the Folger Shakespeare Library. All contests offer a cash prize of $1,000 or more and one is even free to enter. Onward, writers!  

Autumn House Press
Rising Writer Prize
A prize of $1,000 and publication by Autumn House Press is given in alternating years for a debut work of poetry or fiction. The 2023 prize will be given for fiction. The winner will also receive a $500 grant for travel and book promotion. Matt Bell will judge. All finalists are considered for publication. Deadline: November 30. Entry fee: $25 (the submission fee may be waived in cases of financial need).

BOA Editions
A. Poulin Jr. Poetry Prize
A prize of $1,000 and publication by BOA Editions is given annually for a first book of poetry by a U.S. resident. Tina Chang will judge. Deadline: November 30. Entry fee: $25.

Langum Foundation
David J. Langum Sr. Prize in American Historical Fiction
A prize of $1,000 is given annually for a book of historical fiction published during the current year. Self-published books are ineligible. Deadline: December 1. Entry fee: none.

Masters Review
Novel Excerpt Contest
A prize of $3,000, publication in Masters Review, and an agent consultation will be given annually for an excerpt of an unpublished novel or novel-in-progress showing “a sense of style, with a clear grasp on craft” by an emerging writer. Halley Dunne Parry of the Hamilburg Agency will offer the consultation for this contest cycle. Charmaine Craig will judge. Writers who have not published a book or who have published a book with a circulation of less than 5,000 are eligible. All entries will be considered for publication. Deadline: December 1. Entry fee: $20.

Meadowlark Press
Birdy Poetry Prize
A prize of $1,000, publication by Meadowlark Press, and 50 author copies is given annually for a poetry collection. All entries are considered for publication. Deadline: December 1. Entry fee: $25.

Quarter After Eight
Robert J. DeMott Short Prose Contest
A prize of $1,008.15 and publication in Quarter After Eight is given annually for a prose poem, a short short story, or a micro essay. Kirstin Valdez Quade will judge. All entries are considered for publication. Deadline: November 30. Entry fee: $15.

Red Hen Press
Quill Prose Award
A prize of $1,000 and publication by Red Hen Press is given annually for a story or essay collection, a novel, or a hybrid work of prose by a queer writer. Elizabeth Bradfield will judge. Deadline: November 30. Entry fee: $10.

Regal House Publishing
W.S. Porter Prize for Short Story Collections
A prize of $1,000 and publication by Regal House Publishing is given annually for a story collection. The editors will judge. Deadline: December 1. Entry fee: $25.

Tadpole Press
100-Word Writing Contest
A prize of $1,000 will be given twice annually for a work of flash poetry or prose. Deadline: November 30. Entry fee: $10. 

Waywiser Press
Anthony Hecht Poetry Prize
A prize of $3,000 and publication by the Waywiser Press is given annually for a poetry collection by a poet who has published no more than one previous collection. The winner will also give a reading with the contest judge under the auspices of the Folger Shakespeare Library in Washington, D.C. Deadline: December 1. Entry fee: $29.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.

Persimmons

The Time Is Now
11.10.22

“How to choose // persimmons. This is precision. / Ripe ones are soft and brown-spotted. / Sniff the bottoms. The sweet one / will be fragrant. How to eat: / put the knife away, lay down newspaper. / Peel the skin tenderly, not to tear the meat,” writes Li-Young Lee in his evocative poem “Persimmons,” in which he uses the autumnal fruit as a way to speak on a number of personal subjects, such as his memories of a sixth grade teacher, his relationship with his wife, and his father’s blindness. Inspired by Lee’s poem, write a lyric essay about a favorite fruit that conjures sensorial memories. Let yourself be surprised by the direction of your associations.

Spring Forward, Fall Back

The Time Is Now
11.9.22

Over the weekend, many of us, perhaps reluctantly, turned our clocks back an hour, ending Daylight Saving Time for the year. Dating back to World War I when countries needed a way to preserve power and fuel, the yearly change begins in the spring with clocks being pushed forward an hour to conserve daylight leading to longer days and shorter nights, then in the fall pushed back for longer nights and shorter days. Write a story that takes place during the end of Daylight Saving Time. How does the lengthening of darkness affect the mindset of your character?

Civic Duty

The Time Is Now
11.8.22

“I think one of the civic responsibilities of poets in America today is to continue to encourage a sense of civility among us and a sense of curiosity about one another’s lives,” says Naomi Shihab Nye in a conversation with Juan Felipe Herrera and Jane Hirshfield at the 2015 National Book Festival captured on video by the Academy of American Poets. What do you feel is one of your responsibilities as a writer? Write a poem that answers this question by considering timely issues—whether global or personal—that fuel your passion for writing.

Deadline Nears for Anton Chekhov Award for Flash Fiction

G&A: The Contest Blog
11.4.22

Writers have until the end of the month to submit to LitMag’s 2023 Anton Chekhov Award for Flash Fiction. Offered annually, the award comes with a prize of $1,250, publication in LitMag, and an introduction to agents from the Bent Agency, Brandt & Hochman, Folio Literary Management, InkWell Management, Sobel Weber Associates, and Triangle House Literary, who will review the winner’s work.

Using only the online submission system, submit a story of 500 to 1,500 words with a $16 entry fee by November 30. All entries are considered for publication. The editors will judge. Visit the website for complete guidelines.

The 2022 winner of the contest was Caroline Kim for “The End of the Dynasty.” Finalists included Jared Carlson for “Invention,” William Hawkins for “Easter Morning,” and Delano S. C. Parisi for “The Immortal Ontologist in the Apocalypse,” which was published by LitMag.

An annual print journal released each fall, LitMag features established and emerging writers of fiction, poetry, and nonfiction. LitMag also publishes writing on its website. “We seek work that moves and amazes us,” the editors say. “We are drawn to big minds and large hearts.”

Find a Writing Contest

The Grants & Awards database includes details about every writing contest we’ve published in Poets & Writers Magazine during the past year. We carefully review the practices and policies of each contest before including it, making the Grants & Awards database the most trusted resource for legitimate writing contests available anywhere.

Search the database

 

Life After Death

The Time Is Now
11.3.22

The Day of the Dead holiday is traditionally celebrated on the first two days of November, a time for families to remember and honor their dearly departed. The festivities have increasingly become more global but date back to the eleventh century and hold great significance for Mexico’s Indigenous communities. Public places and homes are filled with altars and offerings to commemorate loved ones with their favorite things, including traditional dishes and treats as well as elaborate decorations. Inspired by the celebratory spirit of the Day of the Dead, write an essay that explores how you remember your ancestors. Does this holiday reframe your understanding of grief and loss?

Autumnal Foliage

The Time Is Now
11.2.22

In many parts of the Northern Hemisphere, autumn means catching the colorful, vibrant, and fleeting fall foliage, prompting many to take in the majestic display. Resources like the Smoky Mountain National Park’s Fall Foliage Prediction Map can help travelers locate areas in the United States where leaves are starting to change color, are at their peak, or past peak. Using this map as research, write a story in which your protagonist ventures out to a region where the leaves have changed their color. How does this bright, dramatic scenery affect your character’s mood and choices?

Waking and Dreaming

The Time Is Now
11.1.22

In his poem “Magritte Dancing,” Gerald Stern captures the frustration of struggling to fall asleep while paying close attention to the rhythms of his body and passing thoughts. Stern builds the scene by beginning with the mundane: “Every night I have to go to bed twice, / once by myself, suddenly tired and angry.” Then he turns to the passionate intensity of memory and the surreal: “I look at the morning with relief, with something close / to pleasure that I still have one more day, / and I dance the dance of brotherliness and courtliness.” Inspired by the award-winning poet, who died last Thursday at the age of ninety-seven, write a poem about falling asleep. Try to combine reality with the surreal as you toe the line between waking and dreaming.

Whiting Foundation Announces 2022 Creative Nonfiction Grant Winners

G&A: The Contest Blog
11.1.22

Nine writers have won the Whiting Foundation’s Creative Nonfiction Grant for 2022, the seventh year the foundation has offered the award. The $40,000 grants—which, unlike the Whiting Awards, writers must apply for—are meant to support multi-year book projects that exhibit both boldness of vision and evidence of sharply honed craft: “singularity of voice, arresting narrative vision, and in-depth research spread over multiple years,” as the foundation puts it.

The Whiting Foundation’s Creative Nonfiction Grant winners (clockwise from upper left): Atossa Araxia Abrahamian, Emily Dufton, Wes Enzinna, Ekow Eshun, Patricia Evangelista, Alejandra Oliva, Mathelinda Nabugodi, May Jeong, and Brooke Jarvis.


The winners are Atossa Araxia Abrahamian for The Hidden Globe, an investigation of special economic zones that exist outside the bounds of nation states, forthcoming from Riverhead; Emily Dufton for Addiction, Inc.: Medication-Assisted Treatment and the War on Drugs, a history of the medication-assisted treatment for heroin addiction, forthcoming from the University of Chicago Press; Wes Enzinna for Impossible Paradise: Life, Death, and Home in a California Tent City, which probes the origins and consequences of American homelessness through the lens of an outdoor encampment in Oakland, forthcoming from Penguin Press; Ekow Eshun for The Strangers, a study of Black masculinity that mashes up memoir with biographies of culturally influential figures from the 19th century to the present day, forthcoming from Hamish Hamilton in the United Kingdom; Patricia Evangelista for Some People Need Killing, a mix of literary journalism and first-person narrative investigating President Rodrigo Duterte’s deadly war on drugs in the Phillipines, forthcoming from Random House; Brooke Jarvis for Invisible Apocalypse, a deep-dive into the disappearance of insects across the globe, forthcoming from Crown; May Jeong for The Life: Sex, Work, and Love in America, an intersectional exploration of the lives of sex workers, forthcoming from Atria; Mathelinda Nabugodi for The Trembling Hand: Reflections of a Black Woman in the Romantic Archive, a critique of Romantic poetry and its links to the Black Atlantic slave trade, forthcoming from Hamish Hamilton in the United Kingdom and Knopf in the United States; and Alejandra Oliva for Rivermouth: A Chronicle of Language, Faith, and Migration, which explores the U.S. immigration system as seen through the eyes of the author, who has worked as a translator for asylum seekers, forthcoming from Astra House.

Courtney Hodell, the Whiting Foundation’s director of literary programs, praised the grantees for having “the courage and freshness of vision to address consequential stories hiding in plain sight,” she said in a statement. “It’s our hope that the Foundation’s support will help these gifted writers delve into the most necessary places, whether that’s in the archives, on the street, or within our understanding.”

Each of the winning projects were reviewed by two first-round readers, who judged according to “substance, narrative skill, quality of research, and impact.” Sixteen finalists were then evaluated by a panel of four judges, who considered how the grant might support the development of the book. The anonymous readers and judges were experts in the field of each proposed book project.

For more than forty years, the Whiting Foundation has supported literature and the humanities through its programs and grants. The Whiting Awards annually awards ten emerging writers in fiction, nonfiction, poetry, and drama with $50,000 each, and the Whiting Literary Magazines Prizes help journals foster path-breaking writing with individual financial awards.

To learn more about the Whiting Foundation’s Creative Nonfiction Grant, visit the foundation’s website. Check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation. 

Photo credits: Abrahamian: Jarrad Henderson; Dufton: Mike Kepka; Eshun: Zeinab Batchelor; Evangelista: Geloy Concepcion; Oliva: Anna Longworth; Nabugodi: Amy Jugg, The Fitzwilliam Museum; Jeong: Andrew Quilty; Jarvis: Colette Cosner.

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