Excursions

5.12.22

In an attempt to escape the “constellation of grief” that shrouded him in his early thirties, visual artist and writer Ben Shattuck set out on a series of journeys around New England that became the basis of his book, Six Walks: In the Footsteps of Henry David Thoreau (Tin House, 2022). The book is featured in “The Written Image” in the May/June 2022 issue of Poets & Writers Magazine along with a sample of Shattuck’s drawings from his excursions, which import a visual and emotional landscape to each individual place. This week, inspired by Shattuck’s process, take three walks outdoors throughout the week and write down as many observations as possible. Then, write an essay using these notes to create distinct sections elaborating on each outing.

Essential Labor

5.11.22

In “Can Motherhood Be a Mode of Rebellion?” an essay published in the New Yorker, Jia Tolentino writes about Essential Labor: Mothering as Social Change (Harper Wave, 2022) by Angela Garbes, a book analyzing the state of caregiving in America, and reflects on the experience of hiring a nanny for “a job so crucial and difficult that it seems objectively holy.” This week think of a job that is often unappreciated or unacknowledged and write a story from the perspective of a character who works this job. How can you render their perspective through detailed observations of the world around them?

The Raincoat

5.10.22

In Ada Limón’s poem “The Raincoat,” published in her collection The Carrying (Milkweed Editions, 2018), the speaker reflects on the experience of comfort and protection parents can offer through simple gestures like taking off a raincoat in a storm to wrap around their child or making time to drive and accompany them to doctor’s appointments. Write a poem about a time a parental figure of yours made a loving sacrifice. Think of a memory that makes you feel the way Limón does at the end of her poem: “My god, / I thought, my whole life I’ve been under her / raincoat thinking it was somehow a marvel / that I never got wet.”

Deadline Approaches for Gaudy Boy Poetry Book Prize

Submissions are still open for the annual Gaudy Boy Poetry Book Prize! Offered for an “original Anglophone” poetry collection by a writer of Asian heritage living anywhere in the world, this award includes an increased monetary prize of $1,500 and publication by Gaudy Boy in the United States and Singapore. Emerging and established poets are eligible to apply.

To submit, e-mail a manuscript of 70 to 120 pages written in English and a short cover letter with a $10 entry fee by May 15. Yeow Kai Chai will judge. Visit the website for complete guidelines.

An imprint of the New York City–based literary nonprofit Singapore Unbound, Gaudy Boy publishes poetry, fiction, and nonfiction “of extraordinary merit by Asian voices.”  The name Gaudy Boy comes from both a poem entitled “Gaudy Turnout” by Singaporean poet Arthur Yap and the Latin word gaudium, meaning “joy”; the press aims to “delight [their] readers with the various powers of art.” In August five finalists for their Poetry Book Prize will be announced and invited to participate in a September reading, where the winner will be announced. The prizewinning manuscript will be published in spring 2023. Previous winners include Lawrence Lacambra Ypil for The Experiment of the Tropics, Jenifer Sang Eun Park for Autobiography of Horse, and Paula Mendoza for Play for Time. An imprint of the New York City–based literary nonprofit Singapore Unbound, Gaudy Boy publishes poetry, fiction, and nonfiction “of extraordinary merit by Asian voices.”  The name Gaudy Boy comes from both a poem entitled “Gaudy Turnout” by Singaporean poet Arthur Yap and the Latin word gaudium, meaning “joy”; the press aims to “delight [their] readers with the various powers of art.” In August five finalists for their Poetry Book Prize will be announced and invited to participate in a September reading, where the winner will be announced. The prizewinning manuscript will be published in spring 2023. Previous winners include Lawrence Lacambra Ypil for The Experiment of the Tropics, Jenifer Sang Eun Park for Autobiography of Horse, and Paula Mendoza for Play for Time

Bird Day

How did you celebrate May the Fourth? Did you know it isn’t just for Star Wars fans but also for the birds? In 1894, Charles Almanzo Babcock, a school superintendent from Pennsylvania, launched the first Bird Day “in a bid to create awareness and promote the conservation of all bird species.” This week peruse the National Audubon Society’s Guide to North American Birds, which features the habitats, calls, feeding behaviors, and migration patterns of over eight hundred species of birds. Then, pick five feathered friends that stand out to you and write a section of an essay dedicated to each one. As you write, discover links beyond the germane aspects of your chosen species.

Achoo!

With cool spring weather comes allergy season, the time of year many become suffused with itchy eyes, runny noses, and relentless sneezing. This common ailment is exasperated by the rainy season and blowing winds that spread pollen, and global warming is creating an even longer pollen season, according to many published studies. Write a story in which a protagonist struggles with allergies in springtime. How will this detail carry importance in the plot’s development? For inspiration, read Anton Chekhov’s short story “The Death of a Government Clerk,” which begins with the protagonist sneezing.

Answers

In a recent installment of Ten Questions, poet Dana Levin recalls the earliest memory associated with her new book, Now Do You Know Where You Are (Copper Canyon Press, 2022): “Pacing around my sublet in Saint Louis, Fall 2015, saying out loud the words ‘No,’ ‘Yes,’ and ‘Stop’ over and over: to feel how they felt in my mouth, my throat, my chest.” Included in Levin’s collection are three poems—“No,” “Maybe,” and “Into the Next Eden”—that seek to answer the question posed by the book’s title. This week, consider a question to ask yourself and write three poems with different responses. Do your answers surprise you?

Upcoming Contest Deadlines

Bring in the new month by applying to contests with a deadline of May 15! These awards include opportunities for poets of Asian heritage; women, transgender, and gender-nonconforming writers whose work advances social change; and novelists writing debut books set in the American South. Plus, don’t miss the chance to win a residency in Miami Beach, Florida, or Naples, New York. All contests offer a cash prize of $1,000 or more and two are free of cost to submit.

Academy of American Poets James Laughlin Award: A prize of $5,000 is given annually for a second book of poetry by a living poet to be published in the coming calendar year. The winner also receives an all-expenses paid weeklong residency at the Betsy Hotel in Miami Beach, Florida. Copies of the winning book are distributed to members of the Academy of American Poets. Aracelis Girmay, Solmaz Sharif, and Mai Der Vang will judge. Entry fee: None.

Academy of American Poets Lenore Marshall Poetry Prize: A prize of $25,000 is given annually for a poetry collection by a living poet published in the United States during the previous year. The winner also receives an all-expenses paid 10-day residency at the Glen Hollow cottage in Naples, New York. Copies of the winning book are distributed to members of the Academy of American Poets. Entry fee: $75.

American Poetry Review Stanley Kunitz Memorial Prize: A prize of $1,000 and publication in American Poetry Review is given annually for a single poem by a poet under the age of 40. The editors will judge. Entry fee: $15 (which includes a copy of the prize issue).

Crook’s Corner Book Prize Foundation Book Prize: A prize of $5,000 is given annually for a debut novel set in the American South. The author may live anywhere, but eligible novels must be set primarily in Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Maryland, Mississippi, North Carolina, Oklahoma, South Carolina, Tennessee, Texas, Virginia, West Virginia, or Washington, D.C. Self-published books are eligible, but books available only as e-books are not. Ben Fountain will judge. Entry fee: $35.

Gaudy Boy Poetry Book Prize: A prize of $1,500 and publication by Gaudy Boy, an imprint of the New York City–based literary nonprofit Singapore Unbound, is given annually for a poetry collection by an Asian writer. Yeow Kai Chai will judge. Entry fee: $10.

Leeway Foundation Transformation Awards: Awards of $15,000 each are given annually to women, transgender, or otherwise gender-nonconforming poets, fiction writers, and creative nonfiction writers in the Philadelphia area who have been creating art for social change for five or more years. Writers who have lived for at least two years in Bucks, Camden, Chester, Delaware, Montgomery, or Philadelphia counties, who are at least 18 years of age, and who are not full-time students in a degree-granting arts program are eligible. Entry fee: None.

Lost Horse Press Idaho Prize for Poetry: A prize of $1,000, publication by Lost Horse Press, and 20 author copies is given annually for a poetry collection by a U.S. poet. Dzvinia Orlowsky will judge. Entry fee: $28.

McGill University Montreal International Poetry Prize: A prize of $20,000 Canadian (approximately $15,728) and publication in the 2022 Montreal Poetry Prize Anthology is given biennially for a poem. Lorna Goodison will judge and Cameron Awkward-Rich, Heather Christle, Nabina Das, Liz Howard, Joanne Limburg, Conor O’Callaghan, Tanure Ojaide, Michael Prior, Medrie Purdham, Mark Tredinnick, and Rhian Williams will serve as jurors. Entry fee: $25 Canadian (approximately $20).

Pittsburg State University Cow Creek Chapbook Prize: A prize of $1,000, publication by Pittsburg State University, and 25 author copies is given annually for a poetry chapbook. Chen Chen will judge. Entry fee: $15.  

Ploughshares Emerging Writer’s Contest: Three prizes of $2,000 each and publication in Ploughshares are given annually for a poem or group of poems, a short story, and an essay. Each winner also receives a consultation with the literary agency Aevitas Creative Management. Writers who have not published a book or a chapbook with a print run over 300 are eligible. Chen Chen will judge in poetry, Amelia Gray will judge in fiction, and Danielle Geller will judge in nonfiction. Entry fee: $24 (which includes a subscription to Ploughshares). 

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

Something New

4.28.22

“Can authors avoid the downward post-book spiral? Some depression may be inevitable. There’s an inevitable loss that comes with sending a book into the world,” writes Jessica Berger Gross, author of the memoir, Estranged: Leaving Family and Finding Home (Scribner, 2017), in “I Just Published a Book: Why Am I Depressed?” published on the Poets & Writers website in 2019. In the essay, Gross discusses the feeling of loss she experienced after publishing her memoir and speaks to other writers with “post-publication malaise.” This week, think back to a time when you finished a significant task, whether it was a manuscript, an essay, or moving out of an apartment, then write an essay about the spectrum of feelings you experienced throughout the process. Gross writes that the cure for post book depression is to “start writing something new.” What was your cure?

Interview

4.27.22

In an excerpt of Noor Naga’s new novel, If an Egyptian Cannot Speak English (Graywolf Press, 2022), published on Literary Hub, one of the main characters, an Egyptian American woman who moves to Cairo to teach English, discusses her relationship with her mother through a question and answer structure of vignettes. Rather than straightforward queries with direct replies, the questions are specific and personal—for example, “If you don’t have anything nice to say, should your mother be punished?” and “Is it arrogant to return to a place you’ve never been?”—setting up a tension that elevates the stakes for the character’s emotional arc. Taking inspiration from Naga’s novel, think of three questions that relate to your protagonist’s conflict, then answer these questions through first-person vignettes. How does this exercise help you understand your character, as well as challenge the traditional structure of a story?

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