Upcoming Contest Deadlines


As the Olympics kick off, seek out some worthy competition of your own. Opportunities abound for poets, fiction writers, and nonfictions writers in these nine contests with deadlines of July 31. All award a cash prize of $1,000 or more and many award publication. Good luck, writers!

Howling Bird Press Book Contest—A prize of $2,500 and publication by Howling Bird Press is given in alternating years for a book of poetry, fiction, or creative nonfiction. The 2022 prize will be awarded in fiction. Novels, novellas, and story collections are eligible. Entry fee: $25.

Mudfish Poetry Prize—A prize of $1,200 and publication in Mudfish is given annually for a single poem. Marie Howe will judge. All entries are considered for publication. Entry fee: $20 ($3 for each additional poem).

Munster Literature Center Seán Ó Faoláin International Short Story Competition— A prize of €2,000 (approximately $2,382) and publication in Southword is given annually for a short story. The winner also receives a weeklong residency at the Anam Cara Writer’s Retreat in West Cork and accommodation at the Cork International Short Story Festival. Simon Van Booy will judge. Entry fee: €18 (approximately $21).

Narrative Spring Story Contest—A prize of $2,500 and publication in Narrative is given annually for a short story, a short short story, an essay, or an excerpt from a work of fiction or creative nonfiction. A second-place prize of $1,000 is also awarded. The editors will judge. Entry fee: $27.

New Millennium Writings Writing Awards—Four prizes of $1,000 each and publication in New Millennium Writings and on the journal’s website are given twice yearly for a poem, a short story, a short short story, and an essay that have not appeared in a print publication with a circulation over 5,000. All entries are considered for publication. Entry fee: $20.

Prairie Heritage, Inc. Jan Garton Prairie Heritage Book Award—A prize of $1,000 is given annually for a published book of poetry, fiction, or nonfiction that “illuminates the heritage of North America’s mid-continental prairies.” Authors, publishers, and the general public may submit two copies of a book published between 2017 and 2020. Entry fee: None. 

Press 53 Award for Poetry—A prize of $1,000, publication by Press 53, and 50 author copies is given annually for a poetry collection. Tom Lombardo will judge. Entry fee: $30.

Red Wheelbarrow Poetry Prize—A prize of $1,000 and publication in Red Wheelbarrow is given annually for a single poem. The winner will also receive 20 copies of a letterpress broadside of the winning poem, printed by Felicia Rice at Moving Parts Press. Mark Doty will judge. All entries are considered for publication. Entry fee: $15.

Sewanee Review Fiction, Poetry, and Nonfiction Contest—Three prizes of $1,000 each and publication in Sewanee Review are given annually for a group of poems, a short story, and an essay. Paisley Rekdal will judge in poetry, Brandon Taylor will judge in fiction, and Stephanie Danler will judge in nonfiction. Entry fee: $30 entry fee (includes a subscription to Sewanee Review). 

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

Teachers

7.22.21

In an interview in the September/October 2013 issue of Poets & Writers Magazine, Jordan Pavlin, who was recently promoted to editor in chief at Knopf, speaks about how “there are often two essential people in the life of a passionate reader: a great local librarian and a brilliant, inspiring high school English teacher.” Did you have an English teacher who inspired you to become the writer you are today? Write an essay discussing the influence a teacher or mentor had on the books you read and the early stages of your writing.

Weaving

7.21.21

The first chapter of Jennifer Egan’s Pulitzer Prize–winning novel, A Visit From the Goon Squad (Knopf, 2010), titled “Found Objects,” first published in 2007 in the New Yorker, explores the perspective of a woman reckoning with a dangerous habit of stealing from others while at a session with her therapist. The conversation between Sasha and her therapist creates moments to weave in and out of the present and past. Throughout the chapter, Sasha lies to her therapist, to others, and to herself, as she struggles to figure out the reason for her addiction. Inspired by Egan, write a story set during a therapy session. What is the protagonist contending with, and how does the setting allow for the story to weave in and out of the present?

A Failed Map

7.20.21

“A language is a map of our failures,” writes Adrienne Rich in “The Burning of Paper Instead of Children,” a poem that begins by reflecting on an incident involving children burning a book in a backyard. In the five-section poem, several forms and topics are discussed as the scope of the situation is widened to a global scale, then focused onto the intimacies of sexual relations, resulting in a capacious exploration of language and its failures. Write a poem that reflects upon your relationship to your first language and expands upon how communication can fail us.

Jan Garton Prairie Heritage Book Award Accepting Submissions

Submissions are open for the Jan Garton Prairie Heritage Award. Sponsored by the nonprofit organization Prairie Heritage, Inc., the annual award honors a book in any genre “that illuminates the heritage of North America’s mid-continental prairies.” The organization particularly looks to celebrate books that center non-European experiences of life in the region, as well as those that consider how “denizens of the prairie, human and non-human, have lived or can live together without the destruction and exterminations that have characterized the past.” The winner will receive $1,000.

Authors, publishers, and the general public may nominate books for the award. Submit two copies of a book published between 2017 and 2020 by mail by July 31. There is no entry fee. Visit the website for complete guidelines.

The mission of Prairie Heritage, Inc., is to “preserve the tallgrass prairie and its heritage,” with a particular concern for sharing the stories of the region’s Black settlers. The organization is based in Junction City, Kansas. The 2020 winner of its book award is Phong Nguyen, who received the honor for his novel The Adventures of Joe Harper (Outpost19, 2016).

Dissonance

7.15.21

“There’s a real cognitive dissonance as a person in the world,” says Katie Kitamura in an article by Brandon Yu for the New York Times on the inspiration for writing her new novel, Intimacies (Riverhead Books, 2021). “Your consciousness can only accommodate so much, and certainly it’s been incredible to me how I can simultaneously be very worried about the state of democracy and also thinking, has the turkey gone off?” The novel introduces readers to the mind of a language interpreter at The Hague confronting a moral ambivalence about a former president on trial for war crimes, while simultaneously grieving the loss of her father. Inspired by Kitamura’s character, write an essay in which you recount a time you faced moral ambivalence about a situation. What two seemingly disparate realities were you balancing at once?

Forgotten History

7.14.21

“The forgetting of Afro-Chinese histories, and furthermore of Afro-Chinese women, is an example of what it means to be beyond the interest or comprehension of coloniality,” writes Tao Leigh Goffe in an excerpt from The Other Windrush: Legacies of Indenture in Britain’s Caribbean Empire (Pluto Press, 2021) published in gal-dem. Goffe discovers photographs of a previously unknown relative, her great aunt Hyacinth Lee who migrated to the U.K. from Jamaica, and traces her story. Write a story from the perspective of a family member, real or imagined, who you feel has been lost to history or whose story is still untold. Are there mysterious family photographs you’ve seen that might tell a story?

Desire

7.13.21

In an article for the New Statesman, Andrew McMillan writes about discovering the poetry of Thom Gunn after his death and the impact of his writing on male desire and the male body: “While for the Romantics the sublime might have been an engagement with the vastness and wildness of a landscape, Gunn locates it in encounters with lovers or strangers, a striving towards and never quite achieving transcendence of the self.” This week, write a poem that strives for transcendence through a desirous encounter with a lover or a stranger. For inspiration, browse Gunn’s poetry published on the Poetry Foundation website.

Upcoming Contest Deadlines

The summer literary contest season is in full swing! With deadlines of July 15 or July 16, these opportunities include multiple contests for single poems and a set of prizes for work concerned with health and illness. All offer a cash prize of $1,000 or more.

Bellevue Literary Review Prizes in Poetry and Prose: Three prizes of $1,000 each and publication in Bellevue Literary Review are given annually for a group of poems, a story, and an essay about health, healing, illness, the body, and the mind. Crystal Valentine will judge in poetry, Amy Hempel will judge in fiction, and Michele Harper will judge in creative nonfiction. All entries are considered for publication. Deadline: July 15. Entry fee: $20.

Cincinnati Review Robert and Adele Schiff Awards: Three prizes of $1,000 each and publication in Cincinnati Review are given annually for a poem, a short story, and an essay. Rebecca Lindenberg will judge in poetry, Michael Griffith will judge in fiction, and Kristen Iversen will judge in nonfiction. All entries are considered for publication. Deadline: July 15. Entry fee: $20 (includes subscription).

Comstock Review Muriel Craft Bailey Memorial Award: A prize of $1,000 and publication in Comstock Review is given annually for a single poem. Juan Felipe Herrera will judge. All entries are considered for publication. Deadline: July 15. Entry fee: $27.50 for up to five poems (or $5 per poem via postal mail).

Futurepoem Other Futures Award: A prize of $1,000, publication by Futurepoem, and 25 author copies is given annually for a book of poetry, fiction, nonfiction, or hybrid-genre work. The editors will judge. Deadline: July 15. Entry fee: $28.

Ledbury Poetry Festival Poetry Competition: A prize of £1,000 (approximately $1,318) and publication on the Ledbury Poetry Festival website is given annually for a single poem. The winner is also invited to read at the Ledbury Poetry Festival in Ledbury, England, in July 2022; travel expenses are not included. Anthony Anaxagorou will judge. Deadline: July 15. Entry fee: £5.75 for one poem (approximately $6), and £3.50 (approximately $4) for each additional poem.

Narrative Poetry Contest: A prize of $1,500 and publication in Narrative is given annually for a poem or group of poems. The poetry editors will judge. Deadline: July 16. Entry fee: $25 (includes three months of access to Narrative Backstage).

Rattle Poetry Prize: A prize of $15,000 and publication in Rattle is given annually for a single poem. A Reader’s Choice Award of $5,000 is also given to one of ten finalists. All entries are considered for publication. Deadline: July 15. Entry fee: $25 (includes subscription).

Regal House Publishing Petrichor Prize for Finely Crafted Fiction: A prize of $1,000 and publication by Regal House Publishing is given annually for a novel. The editors will judge. Deadline: July 15. Entry fee: $25.

The Story Prize: A prize of $20,000 is given annually for a short story collection written in English and published in the United States in the current year. Two runners-up receive $5,000 each. The $1,000 Story Prize Spotlight Award is also given for an additional short story collection “of exceptional merit.” Larry Dark and Julie Lindsey will select the three finalists and Spotlight Award winner; three independent judges will choose the Story Prize winner. The deadline for books published between January 1 and June 30 is July 15. The deadline for books published during the second half of the year is November 15. Entry fee: $75.

The Word Works Tenth Gate Prize: A prize of $1,000, publication by the Word Works, and 50 author copies is given annually for a poetry collection by a poet who has published at least two full-length books of poetry. Lauren Camp will judge. Deadline: July 15. Entry fee: $25 (fee waivers available).

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

Paean to Place

In an interview for the Rumpus, Musa Okwonga, author of In the End, It Was All About Love, (Rough Trade, 2021), discusses the use of magical realism to address the complicated history of his book’s setting, Berlin. “I wanted the readers to sink into a place that unmoored them somewhat, I wanted to untether them from reality and be like, this is deeply surreal but also entirely real,” says Okwonga. Choose a city you have a deep connection with and write an essay that contends with its history, both personal and global, through a mythical or surreal lens. Try experimenting with form to bring attention to the complexity of the city’s history.

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