In many countries, Father’s Day was observed this past Sunday, an occasion in which fatherhood is celebrated and reflected upon. Over the centuries, poets have explored and honored their relationships with their fathers in poems such as “Those Winter Sundays” by Robert Hayden, “Yesterday” by W. S. Merwin, and “My Father. A Tree.” by Tina Chang. This week, write a poem dedicated to a father figure in your life. Try writing it from the perspective of a child as an added challenge.

“I went to Bolivia assuming I would have connections with Indigenous Bolivians because of our shared identity as Indigenous people,” writes Ursula Pike in the preface to her memoir, An Indian Among Los Indígenas: A Native Travel Memoir, published in March by Heyday Books, recounting the years she served as a Peace Corps volunteer in Bolivia. In the memoir, Pike, a member of the Karuk Tribe, questions her role as someone who experienced colonialism firsthand and follows “in the footsteps of Western colonizers and missionaries who had also claimed they were there to help.” Pike’s travel narrative upends the canon of white authors of the genre, helping the reader to examine the overlapping tensions of colonialism across cultures. Write an essay about a trip that helped you realize your complicity in a social issue. Think about the perspective of the spectator inherent to the travel narrative as you consider the conflict in the essay.

A few months ago, I had the pleasure of being a featured author at Melba’s in New Orleans as part of their Eat and Read series. Melba’s has been a unique leader for literacy in the city, offering customers free books with their lunch purchases. Authors read from and sign their books, and engage with customers and staff. Over the years authors have included Sarah Broom, Melissa Rogers, and Colson Whitehead. By combining food and books, folks are united in reading and eating. Melba’s literacy program has the support of the Clinton Foundation, and Bill and Hillary Clinton have even come to visit. It’s an amazing experience to see customers with a book in one hand and a po’boy in the other. I spoke with the woman behind it all—Jane Wolfe—about her love for New Orleans and literature.

How did the literacy program at Melba’s get started?
In 2007, as an older student, I entered academia to acquire a college degree. My graduate advisor was Jonathan Walton and in 2018, he visited New Orleans with his family. We had a book giveaway at Melba’s for his book The Lens Of Love: Reading the Bible in its World for Our World.

In the middle of the book signing, Jonathan looked up and said, “Jane, this is so needed to get these books into the hands of everyday people!” At that moment, I came to understand how I could help literacy in New Orleans.

You chronicle your personal and professional journey in your book, From GED to Harvard Then Inc. 500: How Two Teens Went From GEDs to Building the Fastest Growing Business in New Orleans (ForbesBooks, 2020). What were some of the challenges you faced in shifting from business owner to author?
Authors need time to bring thoughts to fruition. A businessperson does not operate in such a framework: There is no time for reflection in business. The greatest challenge was turning off the day-to-day operational mode of my mind that I used to succeed in business in order to write.

Beyond being a business owner, you have a masters degree in Theological Studies from Harvard Divinity School. How does faith influence your writing and work?
As an older student I was given the gift of time to learn about my faith tradition. Once I understood Catholic Social Teaching I could see more clearly my place in the business world.

My two favorite classes at Harvard were “God and Money” by professor Harvey Cox and “Religion, Politics, and Public Policy” by professor Richard Parker. Their instruction put forth my faith in action at work through Catholic Social Teaching, and most importantly, helped me understand that businesses are not positioned in a society to merely make money. To learn about the world’s sacred scriptures at Harvard Divinity School, my thinking adjusted towards a global perspective. The theological degree allowed writing to come alive in ways I never thought possible.

What books are you currently reading?
Right now I’m reading Religion and the Rise of Capitalism (Knopf, 2021) by Benjamin M. Friedman, Black Women, Black Love: America’s War on African American Marriage (Seal Press, 2020) by Dianne M. Stewart, 70 Hebrew Words Every Christian Should Know (Abingdon Press, 2018) by Matthew Richard Schlimm, NeuroTribes: The Legacy of Autism and the Future of Neurodiversity (Avery, 2015) by Steve Silberman, and Preaching on Wax: The Phonograph and the Shaping of Modern African American Religion (NYU Press, 2014) by Lerone A. Martin.

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In Joss Lake’s debut novel, Future Feeling, published in June by Soft Skull Press, the absurd meets the epic in the story of Penfield R. Henderson, a former dog walker obsessed with the social media presence of Aiden Chase, a fellow trans man and influencer documenting his transition into picture-perfect masculinity. After resentfully attempting to hex Aiden, Penfield instead curses another young trans man named Blithe to “the Shadowlands,” an emotional landscape through which “every trans person must journey to achieve true self-actualization.” What follows is the journey Penfield and Aiden take to save Blithe and the lessons the three learn about the power of human connection and choosing your family. Taking inspiration from Lake’s epic tale, write a story that establishes how three strangers meet to achieve a common goal. How can you challenge yourself to imagine a plot that, like a puzzle, positions these three characters to save one another?

Black Earth: Selected Poems and Prose, a new collection of writing by Osip Mandelstam, translated from the Russian by Peter France and forthcoming in July from New Directions, offers a fresh look at the celebrated work of the revered Russian poet who died in a Stalinist labor camp in 1938. Known for the electric and haunting poems written toward the end of his life, Mandelstam was also part of the symbolist movement, as evidenced in his poem “Notre-Dame,” which reimagines what the Parisian cathedral looked like when it was built in medieval France. “Here, where a Roman judge once judged an alien people, / stands a basilica, fresh minted, full of joy,” he writes, “as Adam long ago stood tall and flexed his sinews, / its muscles ripple through the light crisscrossing vaults.” Write a poem about an old building in your neighborhood that reimagines what it looked like when first constructed. Try to combine images of the structure with the history behind its survival.

“The poem, to me, is a conversation between people,” writes Alex Dimitrov in the latest Craft Capsule installment, in which he talks about his 2014 project Night Call involving reading drafts of poems from his second book, Together and by Ourselves (Copper Canyon Press, 2017), to strangers in their apartments in New York City. Through intimate conversations and exchanges, he is forever connected with these lives and places as the poem “keeps people’s voices and things right there, outside time.” Write an essay inspired by a conversation with a stranger you met in passing, whether at a grocery store, on a train, in a park, or elsewhere. Challenge yourself, as Dimitrov does, by including gestures or specific phrases you recall into the essay. How were you changed by this brief exchange?

Hey mi gente, thanks for joining me for another blog post, and a big thank you to all who read these posts. As my time as literary outreach coordinator comes to a close, I will continue to highlight all things literary in Houston, and how the city leads the way with great community work.

First, I would like to shine a light on all the organizations and literary journals doing the work during the pandemic and keeping the doors open: Public Poetry, Nuestra Palabra, Defunkt Magazine, Inprint, Stages Theatre, and Poetry Around Houston, to name a few. They adapted and created new ways for literature to stay alive. Some organizations flipped their live scheduled events and adapted them into Zoom or Facebook Live events while others switched to podcasts. The most important effect is that the public benefited from it all. These aren’t the only examples. So many individual artists are making waves and collaborating to make words come alive in the city, and as we approach the summer, new events are beginning to blossom and it is beautiful to see.

Speaking of, two Houston grantees from our United States of Writing Project Grants, Omer Ahmed and Joy Priest, will each be hosting events in the coming weeks. Ahmed is collaborating with Loyce Gayo to lead a three-part workshop series focused on community identity in the face of gentrification. You can check out the upcoming sessions on June 10 and June 17 which are open to all communities in Houston, not just writers. Priest and Aris Kian will be cohosting the “Poet &” reading series, which will highlight and support Houston poets who have careers or practices outside of writing, including myself! The readings are scheduled for June 15, June 22, and June 29.

And finally, a shout-out to Deborah DEEP Mouton—who keeps it ever so real, always doing the work—for being a part of the planning committee and participating in events for last weekend’s third annual Fresh Arts Summit. If you missed it, videos from the keynote kick-off event and other panels are available on YouTube through July 5.

Austrian poet Friederike Mayröcker, who the German Academy for Language and Literature in Darmstadt once stated made German literature richer with her “streams of language, word inventions, and associations,” died last Friday at age ninety-six. Acclaimed for her poetry, Mayröcker also wrote novels, memoirs, drama, radio plays, and children’s books. In each work, she created new ways for her language to flow freely, such as in her 1988 story “my heart my room my name,” which was written entirely without punctuation, and her book-length lament Requiem for Ernst Jandl, which exhibits a liberal use of capitalization. This week, inspired by Mayröcker, write a story with a protagonist whose perspective requires an associative, free-flowing use of language. How does pushing the limits of language produce a fresh perspective?

“I wrote a good omelet… and ate / a hot poem… after loving you,” writes Nikki Giovanni in her poem “I Wrote a Good Omelet.” The renowned and prolific poet describes going about various common tasks in strange and humorous ways, replacing, for example, “car” for “coat” in the phrase “drove my coat home” and “bed” for “hair” in “turned down my hair.” Through these playful reversals, Giovanni mimics the dizzying feeling of falling in love, as if the speaker is unable to focus on anything after being with their beloved. Write a poem that expresses this giddy feeling of love by using unexpected combinations of phrases and words.