Upcoming Contest Deadlines

After a dreary winter, spring is finally on the horizon. With deadlines of March 14 or March 15, these contests include opportunities for poets, fiction writers, and nonfiction writers alike. One awards a monthlong residency in Slovenia. All offer a cash prize of $500 or more.

Airlie Press Airlie Prize: A prize of $1,000 and publication by Airlie Press is given annually for a poetry collection. The editors will judge. Deadline: March 15. Entry fee: $25.

Bellingham Review Literary Awards: Three prizes of $1,000 each and publication in Bellingham Review are given annually for works of poetry, fiction, and creative nonfiction. The 49th Parallel Award for Poetry is given for a poem or group of poems. The Tobias Wolff Award for Fiction is given for a short story. The Annie Dillard Award for Creative Nonfiction is given for an essay. All entries are considered for publication. Jessica Jacobs will judge in poetry, Kristiana Kahakauwila will judge in fiction, and Sarah Einstein will judge in creative nonfiction. Deadline: March 15. Entry fee: $20 ($10 for each additional entry).

Colorado Review Nelligan Prize for Short Fiction: A prize of $2,000 and publication in Colorado Review is given annually for a short story. T. Geronimo Johnson will judge. All entries are considered for publication. Deadline: March 14. Entry fee: $15 ($17 for online submissions).

Fourth Genre Steinberg Essay Prize: A prize of $1,000 and publication in Fourth Genre is given annually for an essay. Xu Xi will judge. All entries are considered for publication. Deadline: March 15. Entry fee: $20.

Hidden River Arts Eludia Award: A prize of $1,000 and publication by Hidden River Publishing is given annually for a debut novel or story collection by a woman age 40 or older. Deadline: March 15. Entry fee: $20.

James Jones Literary Society First Novel Fellowship: A prize of $10,000 is given annually for a novel-in-progress by a U.S. writer who has not published a novel. Two runners-up will each receive $1,000. Deadline: March 15. Entry fee: $33.

Livingston Press Tartt Fiction Award: A prize of $1,000, publication by Livingston Press, and 100 author copies is given annually for a first collection of short stories by a U.S. citizen. Deadline: March 15. Entry fee: none.

National Poetry Series Open Competition: Five prizes of $10,000 each and publication by participating trade, university, or small press publishers are given annually for poetry collections. The 2021 publishers are Beacon Press, Ecco, Milkweed Editions, Penguin Books, and University of Georgia Press. Deadline: March 15. Entry fee: $35.

Prairie Schooner Raz-Shumaker Book Prizes: Two prizes of $3,000 each and publication by University of Nebraska Press are given annually for a poetry collection and a short story collection. Kwame Dawes will judge. Deadline: March 15. Entry fee: $25.

Robinson Jeffers Tor House Foundation Poetry Prize: A prize of $1,000 is given annually for a single poem. Kim Stafford will judge. Deadline: March 15. Entry fee: $10.

The Word Works Washington Prize: A prize of $1,500 and publication by the Word Works is given annually to a U.S. or Canadian poet for a poetry collection. Deadline: March 15. Entry fee: $25.

Verse Tomaž Šalamun Prize: A prize of $500 and publication by Factory Hollow Press is given annually for a poetry chapbook. The winner will also receive a monthlong residency in summer 2022 in a private apartment at the Tomaž Šalamun Center for Poetry in Ljubljana, Slovenia. Prose poetry, hybrid works, and translations of works of poetry by living writers from any language into English are also eligible. Sawako Nakayasu will judge. Deadline: March 15. Entry fee: $16 ($12 for students).

Washington College Hodson Trust–John Carter Brown Library Fellowship: A fellowship, which includes a stipend of $20,000, is given annually to a novelist or nonfiction writer working on a book relating to the literature, history, culture, or art of the Americas before 1830. The fellowship includes housing and university privileges for a two-month research period to be conducted at the John Carter Brown Library on the campus of Brown University in Providence, Rhode Island, and a two-month writing term at the Starr Center for the Study of the American Experience at Washington College in Chestertown, Maryland. Deadline: March 15. Entry fee: none.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

Imperative Myth

3.11.21

“We lived in the imperative,” writes Donika Kelly at the start of her poem “Ars Empathica” from her collection The Renunciations, forthcoming in May from Graywolf Press. The collection maps resilience in the face of childhood trauma and a failing marriage, charting memories through myth-like poems that call back to the book’s epigraph by Anne Carson: “To live past the end of your myth is a perilous thing.” Poems such as “Portrait of My Father as a Winged Boar,” “Self-Portrait in Labyrinth,” and a selection involving the figure of “the oracle” mix the intensity of real life with the self-mythologizing one must do in order to survive. Write an essay that explores what it means to “live past the end of your myth” by recounting what occurred after a personal catastrophe. How does one’s sense of self begin to shift in the wake of a new life?

Correction: An earlier version of this post incorrectly stated that the title of Donika Kellys forthcoming collection is The Imperatives.

We Won’t Turn Back: A Black History Month Reading

On February 26, I was honored to take part in a virtual reading event celebrating Black poets and Black History Month. We Won’t Turn Back was presented by the Youth Advisory Board (YAB) at InsideOut Literary Arts, which curates literary events focused for teens in Detroit. This event featured members of the YAB and special guests, all of whom are Detroit natives: Nandi Comer, Wes Matthews, and Imani Nichele with host LaShaun phoenix Moore.

Each poet shared powerful work that investigated culture and community. While the work was strong, what stood out most for me was what Moore stated: “There are so many ways to be Black.” This was highlighted in the experiences and perspectives shared in the writing. Each poem proved that there are many layers to being Black and being from Detroit, and that there is much more still to be written.

As we move into Women’s History Month, make sure to check out Page to Stage: Bel Canto, a discussion on the inspiration behind Ann Patchett’s opera-centered novel Bel Canto presented virtually by Pages Bookshop and Michigan Opera Theatre on March 16, and Ain’t I a Woman presented virtually by the Secret Society of Twisted Storytellers on April 16. These are sure to be great shows.

Watch the We Won’t Turn Back reading here:

Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

Recorder

3.10.21

In an interview in the Rumpus, Melissa Broder speaks with Greg Mania about how the writing process for her latest novel, Milk Fed (Scribner, 2021), hasn’t changed since her first book. Broder describes how she dictates the first draft into her phone and doesn’t “stop or proofread or think about it or change anything until the whole mass of clay has been thrown down.” This week, inspired by Broder’s writing process to “encourage your own messiness,” dictate the first draft of a story without stopping to make any changes, even misspellings. How will this freedom of a first draft encourage new ways of writing and break apart your process?

Aubade

“In this city / each door I cross / in search of your room / grows darker / than the sky,” writes Aldo Amparán in “Aubade at the City of Change,” published in the Academy of American Poets’ Poem-a-Day series. In The Essential Poet’s Glossary by Edward Hirsch, an aubade is defined as a poem or song for the dawn expressing the regret of parting lovers at daybreak that dates back to Europe at the end of the twelfth century. In Amparán’s poem, he uses the form to meditate on the mourning of a loved one and conjures images of light to illustrate how loss can leave one feeling “suspended in time” even as the world continues to shift and change. This week, write an aubade. Use the dawn as an image to illustrate the theme of change in the poem.

PEN America Emerging Voices Fellowship Open for Applications

The deadline is approaching for the PEN America Emerging Voices Fellowship. While previously designated for Los Angeles writers, the fellowship is now open to poets, fiction writers, and nonfiction writers from across the United States. Twelves fellows will receive $1,000 and participate in a five-month mentorship program, which includes one-on-one mentorship, introductions to various industry leaders, professional development workshops, and more. Designed for “early-career writers from communities that are traditionally underrepresented in the publishing world,” the program is open to writers who have not yet published a book and who do not hold an advanced degree in creative writing.

Using only the online submission system, submit a series of personal statements, a writing sample, a curriculum vitae, and the contact information for two references with a $25 entry fee by March 17. A committee of established writers, former fellows, and PEN America staff will judge. Visit the website for complete guidelines.

The Emerging Voices Fellowship was first established by PEN America Los Angeles in 1996, with the aim to serve “writers seeking financial and creative support to pursue their craft professionally.” Last year the program was disrupted as the pandemic swept the country, and in August 2020, PEN America indicated it would not open the 2021 fellowship application. The following month, however, the organization announced it would be able to redirect funding to the program and reenvision it on a national scale.

Influence

“I most remember reading Chelsea Girls in the dark, in bars around San Francisco in the nineties—beneath the staircase in the backroom at Dalva, in a booth at Blondie's or the Uptown,” writes Michelle Tea in her Los Angeles Review of Books essay on reading the 1994 autobiographical novel by Eileen Myles, which influenced her as a writer, as well as a generation of queer writers. “What it was like to be female with that permeable body, to be a lesbian, to be working class or flat broke, to be a poet, a drunk,” writes Tea. “This is Chelsea Girls.” This week, write an essay about a book that was a formative influence on you as a writer. What was it about this book that helped you see yourself?

One Pandemic Won’t Stop the Show

February was a challenging but exciting month. No, we didn’t have traditional Mardi Gras but we did have Yardi Gras. That’s right, the people of New Orleans made “house floats” to keep the spirit of Mardi Gras alive in our city. We’re not going to let a pandemic keep us from enjoying the culture and traditions of our city.

In that same spirit, I wanted to highlight some upcoming events and new book releases that help celebrate New Orleans and their writers.

1. Recovered Voices: Black Activism in New Orleans From Reconstruction to the Present Day, March 5­–7
The Historic New Orleans Collection will host their twenty-fifth annual symposium to celebrate the voices of Black activists from the era of Reconstruction, as featured in three new publications. The protagonists of these books include journalists, poets, politicians, educators, and ardent champions of civil rights.

2. Tennessee Williams & New Orleans Literary Festival, March 24–28
The five-day literary arts festival will be held virtually this year. Festival events include panel discussions, interviews, Books & Beignets book club, Tennessee Williams Tribute Reading, theater events, Drummer & Smoke music series, and special events. Their LGBTQ literary festival Saints+Sinners will also be held virtually March 11–14.

3. Elizabeth Miki Brina’s debut memoir, Speak, Okinawa, was published last week by Knopf. Brina lives and teaches in New Orleans, and received an MFA in creative writing from University of New Orleans. You can read more about her writing process and the book in Poets & Writers’ Ten Questions series.

4. Former Louisiana poet laureate Jack Bedell has a new poetry collection, Color All Maps New, published by Mercer University Press.

5. Daniel Jose Older, who lives and writes in New Orleans, speaks about his latest book, Flood City (Scholastic Press, 2021), and the release of the first issue of the Star Wars: The High Republic Adventures comic book series in Gambit.

In New Orleans, come hell or high water or pandemic—we find ways to thrive. The pandemic has changed many things, but our literary events and writers continue to make art and celebrate.

Kelly Harris is the literary outreach coordinator for Poets & Writers in New Orleans. Contact her at NOLA@pw.org or on Twitter, @NOLApworg.

Spies

John LeCarré’s novel A Perfect Spy begins by introducing the protagonist Magnus Pym and tracking his movements across “a south Devon coastal town” on his way to a Victorian boardinghouse, where he is addressed by an old woman who says, “Why Mr. Canterbury, it’s you.” In this deft use of dialogue, LeCarré illustrates the essence of the classic writing technique “show, don’t tell,” revealing that Pym has visited the boardinghouse before and is traveling under a pseudonym. Write a story in which a protagonist’s identity is hidden, and only revealed through subtle clues in dialogue and physical gestures.

Image or Detail?

Rick Barot’s poem “The Wooden Overcoat,” published in the April 2012 issue of Poetry, begins: “It turns out there’s a difference between a detail / and an image.” Barot develops this train of thought and proceeds to engage in differentiating between the two, positing that a dandelion on the sidewalk is “mere detail,” but “the dandelion inked on a friend’s bicep / is an image because it moves when her body does.” Write a poem that sets up an argument in the first sentence and then proceed to test it through rhetorical devices and concrete imagery. How can you use a poem to prove a thesis?

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