Genre: Creative Nonfiction

The Airport Ride

The Time Is Now
2.7.19

When does a ride to the airport mean more than a ride to the airport? In her New York Times Magazine Letter of Recommendation essay, Jacqueline Kantor refers to the idea that the offer to drive someone to the airport often holds signification in romantic relationships and friendships. Write an essay about a mundane task or practical favor that you have done as a gesture of your burgeoning feelings for someone. Did the recipient note the significance of the act? Was it the beginning of a new chapter in your relationship?

Red Mountain Press Writers’ Retreat

May/June 2020

Red Mountain Press offered two- and four-week residencies from November 14 to December 12 to poets, fiction writers, and creative nonfiction writers in a private home on Sanibel Island, Florida. Residents were provided with private lodging, dinners, and access to a shared kitchen. There was no cost to attend the residency. Using only the online submission system, writers submitted up to 10 pages of poetry or up to 15 pages of prose, a project proposal, a curriculum vitae, and a $35 application fee by July 31. Visit the website for more information.

Type: 
RESIDENCY
Ignore Event Date Field?: 
yes
Event Date: 
March 26, 2026
Rolling Admissions: 
ignore
Application Deadline: 
March 26, 2026
Financial Aid?: 
no
Financial Aid Application Deadline: 
March 26, 2026
Free Admission: 
yes
Contact Information: 

Red Mountain Press Writers’ Retreat, P.O. Box 32205, Santa Fe, NM 87594. 

Susan Gardner
Founding Editor
Contact City: 
Sanibel Island
Contact State: 
FL
Country: 
US
Genre: 
Poetry
Fiction
Creative Nonfiction

A House of My Own

Caption: 

“It is a map of how this writer had to break many barriers to find not a room of her own, but a house of her own.” Sandra Cisneros speaks with PBS NewsHour’s Jeffrey Brown about her essay collection, A House of My Own: Stories From My Life (Knopf, 2015), her path to writing, and what home means to her. Cisneros was recently named the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature.

Genre: 
Creative Nonfiction
Tags: 
Sandra Cisneros
A House of My Own: Stories From My Life
Knopf
2015
PBS NewsHour
PEN/Nabokov Award
2019
interview

One-Track Mind

The Time Is Now
1.31.19

Last November, over five hundred pieces from the art collection of Patricia and Donald Oresman were auctioned off in New York City, including work by Roz Chast, Allen Ginsberg, William Kentridge, Jacob Lawrence, and David Wojnarowicz. What is unique about the couple’s collection is that all of the drawings, paintings, and photographs depict a common subject: They are all portraits of someone reading. Inspired by this singular focus, write a series of vignettes that all explore a shared subject or theme. Experiment with different styles, perspectives, or tones to create a multivalence in your collection.

Submissions Open for Lambda’s Markowitz and Córdova Prizes

G&A: The Contest Blog
1.30.19

Lambda Literary is currently accepting submissions for the Judith A. Markowitz Award for Emerging LGBTQ Writers and the Jeanne Córdova Prize for Lesbian/Queer Nonfiction. The annual awards are given to LGBTQ poets, fiction writers, and nonfiction writers.

 

The Judith A. Markowitz Award is open to emerging writers who identify as LGBTQ and have published one to two books of poetry, fiction, or nonfiction. Two winners will receive $1,000 each. Using the online application system, submit a writing sample of up to 10 pages of poetry or 20 pages of prose with a nomination statement (applicants may be self-nominated). There is no application fee.

The Jeanne Córdova Prize for Lesbian/Queer Nonfiction is open to trans/gender nonconforming writers and lesbian/queer-identified women. The winner will receive $2,500. Writers must have published at least one book and should display a commitment to “nonfiction work that captures the depth and complexity of lesbian/queer life, culture and/or history.” Using the online application system, submit a writing sample of up to 20 pages from a published book, a sample or outline from a work-in-progress of no more than 10 pages, and a nomination statement (applicants may be self-nominated). There is no application fee.

The deadline for both awards is February 15. Jeanne Thornton and Mecca Jamilah Sullivan won last year’s Markowitz Award; Melissa Febos received the Jeanne Córdova Prize.

Lambda Literary Foundation, which is based in Los Angeles, has been a resource for LGBTQ writers across the country since 1987. The organization is dedicated to “nurturing and advocating for LGBTQ writers” and runs several programs, fellowships, and events. The Judith A. Markowitz Award was established in 2013, while the Jeanne Córdova Prize was established last year.

Read more about Lambda Literary in Jonathan Vatner’s article “Lambda Literary Looks to the Future” in the September/October 2018 issue of Poets & Writers.

All the Lives We Ever Lived

Caption: 

“Not only did To the Lighthouse help me to understand my own story, but my own story helped me to better understand To the Lighthouse—there’s sort of a beautiful reciprocity there.” Katharine Smyth talks with Michelle Dunton Cronauer about how Virginia Woolf’s 1927 novel led to writing her debut memoir, All the Lives We Ever Lived: Seeking Solace in Virginia Woolf (Crown, 2019), which is featured in Page One in the January/February issue of Poets & Writers Magazine.

Genre: 
Creative Nonfiction
Tags: 
Katharine Smyth
interview
All the Lives We Ever Lived: Seeking Solace in Virginia Woolf
2019
Crown
Virginia Woolf
Page One
January/February 2019
memoir

Reyna Grande

Caption: 

“This story is not just about an immigrant girl making her way through the world, but it’s a story of a girl who is fighting hard for her American dream.” In this video, Reyna Grande discusses her memoir A Dream Called Home (Atria Books, 2018), a sequel to her best-selling memoir The Distance Between Us, and the inspiration she hopes her books will bring to young readers.

Genre: 
Creative Nonfiction
Tags: 
Reyna Grande
Simon & Schuster
Atria Books
2018
A Dream Called Home
The Distance Between Us

PEN America Announces Finalists for 2019 Literary Awards

G&A: The Contest Blog
1.24.19

This morning PEN America announced the finalists for its 2019 Literary Awards, which showcase the best books of poetry, fiction, nonfiction, and translation published in the previous year. More than $370,000 in prize money will be awarded to the winning writers, who will be announced at a ceremony in New York City on February 26. This year more than 50 percent of the finalists are debut writers and authors published by small presses.

The $75,000 PEN/Jean Stein Book Award recognizes a book-length work in any genre. The 2019 finalists are Nana Kwame Adjei-Brenyah for Friday Black (Mariner Books), Ada Limón for The Carrying (Milkweed Editions), José Olivarez for Citizen Illegal (Haymarket Books), Richard Powers for The Overstory (Norton), and Tara Westover for Educated (Random House).

The finalists for the PEN/Hemingway Award, which includes $25,000 and a residency at the Ucross Foundation in Wyoming, are Akwaeke Emezi for Freshwater (Grove Press), Meghan Kenny for The Driest Season (Norton), Ling Ma for Severance (Farrar, Straus and Giroux), Tommy Orange for There There (Knopf), and Nico Walker for Cherry (Knopf).

The PEN/Bingham Prize, which was previously awarded for a first book of fiction, will now be awarded for a debut story collection. The finalists for the $25,000 award are Chaya Bhuvaneswar for White Dancing Elephants (Dzanc Books), Jamel Brinkley for A Lucky Man (Graywolf Press), Helen DeWitt for Some Trick (New Directions), Akil Kumarasamy for Half Gods (Farrar, Straus and Giroux), and Will Mackin for Bring Out the Dog (Random House).

The PEN Open Book Award, worth $5,000, will be conferred to an author of color for a book-length work of any genre. The finalists are Shauna Barbosa for Cape Verdean Blues (University of Pittsburgh Press), Tyrese Coleman for How to Sit: A Memoir in Stories and Essays (Mason Jar Press), Ángel García for Teeth Never Sleep (University of Arkansas Press), Nafissa Thompson-Spires for Heads of the Colored People (Atria), and Jenny Xie for Eye Level (Graywolf Press).

The PEN/Diamonstein-Spielvogel Award for the Art of the Essay is given to a collection of essays that exemplify the form. The finalists for the $10,000 award are Jabari Asim for We Can’t Breathe: On Black Lives, White Lies, and the Art of Survival (Picador), Alexander Chee for How to Write an Autobiographical Novel (Houghton Mifflin Harcourt), Brian Phillips for Impossible Owls (FSG Originals), Zadie Smith for Feel Free (Penguin Press), and Michelle Tea for Against Memoir (Feminist Press).

Visit the website for a complete list of finalists, including those for PEN awards in nonfiction, biography, translation, poetry in translation, and literary science writing.

Established in 1963, the PEN America Literary Awards have honored hundreds of writers. Layli Long Soldier, Jenny Zhang, and Alexis Okeowo were among the 2018 winners.

Double Consciousness

The Time Is Now
1.24.19

Wesley Yang’s essay collection, The Souls of Yellow Folk (Norton, 2018), takes inspiration from W. E. B. Du Bois’s 1903 book, The Souls of Black Folk, which addresses the experience of double consciousness: a divided identity split between the consciousness of how one views oneself and how one is viewed by others. A number of Yang’s essays examine his role as a writer within “the peculiar burden of nonrecognition, of invisibility, that is the condition of being an Asian American man,” and circle around the frustration and isolation of attempting to reconcile or unify public opinion with one’s inner life. In your own nonfiction, have you struggled with representing yourself honestly while being conscious of how your readers might view you? Write an essay about striking a balance between writing truthfully about your interior self and considering the pressures of others’ perceptions.

Reminiscences of a Raconteur

The Time Is Now
1.17.19

In “‘I Read Morning, Night and in Between’: How One Novelist Came to Love Books” in the New York Times last month, Chigozie Obioma writes about how his journey to becoming a voracious reader was shaped by a childhood full of books and storytelling, and recounts a discovery made about the differences between stories told by his father versus those told by his mother. Write a personal essay about a storyteller who has played an important role in your life, such as a parent or guardian who animatedly read you bedtime stories, a relative whose tales are particularly exaggerated, or a friend whose sense of comedic or suspenseful timing is always just right. How has this person had an effect on your own storytelling and writing?

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