For the fifth installment of our ongoing Winners on Winning series, we spoke with Tami Mohamed Brown, the winner of a 2013 Loft Literary Center Minnesota Emerging Writers' Grant in creative nonfiction, an award that includes $10,000 and professional development for a writing project. She also received a 2011-2012 Mentor Series Award in creative nonfiction from the Loft Literary Center. Brown is a regular contributor to Minnesota Women’s Press, and her work has been published or is forthcoming in Literary Mama, Mizna, Sweet, and in the anthology Open to Interpretation: Intimate Landscape. She lives in Bloomington, Minnesota, with her husband and daughter.
What kind of impact has winning this prize had on your career?
Like many working parents, I’ve never known a writing life or schedule that is separate or distinct from full-time employment and motherhood, my writing time a constant negotiation of balance to create pockets of time—however minimal—in early mornings, on the bus, squeezed in over lunch hours. Receiving the Emerging Writers' Grant has allowed me funded writing time on a regular schedule to work toward a final rewriting and shaping of my memoir: one day a week away from my full-time job, for a full calendar year. I’m still kind of blown away by that!
Has winning this award, or previous awards, changed the way you approach your work?
Receiving this award for funded time on a very specific project has definitely made me take my work more seriously. There was the sense that my work had been validated, which fed into an awareness of the importance of my scheduled writing days—I’ve made a huge effort to protect that time, which otherwise would have been hard fought. These longer, weekly, concentrated blocks of time have provided a sense of expansiveness—time to think actively about and experiment with structure and time to simply get as much as I can down on the page.
Have you ever entered a contest that you didn't win?
I submitted a version of the same proposal to the Minnesota Emerging Writers' Grant in 2012 and didn’t win. When the grant notice was posted for 2013, I revisited what I had written the previous year and tightened things up. The second time around, I asked readers I trusted for feedback on the grant narrative, and I used the resources the Loft provided—an open information session, a scheduled chance to ask questions. In short, I took more time and care with the process and with my work—it was good to be reminded that this can make a difference.
What advice would you offer to writers thinking of submitting to writing contests?
Do your homework and seek out the opportunities that are a good fit for your work. Follow submission guidelines. Submit your best work. After that understand that timing and luck are part of the process, and persevere.
For more Winners on Winning, read the current issue of Poets & Writers Magazine, and check back here every Wednesday for a new installment.
A $500 second-place prize and a $250 third-place prize will also be given; both awards include publication on the Writer website and tuition for a workshop. All three winners will also receive a subscription to the Writer.
To apply, submit a description and sample of the work-in-progress totaling no more than 50 pages, a letter from the publisher confirming that the work is under contract, a brief letter of intent, and an optional sample of previous work totaling no more than 50 pages by May 1. All materials must be submitted electronically to 