How to Negotiate a Freelance Rate—or, How to Know Your Worth

Remember the value of time, expertise, and talent—and that you, too, should be invested in your work.
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Remember the value of time, expertise, and talent—and that you, too, should be invested in your work.
An author who worked for years as a scribe at the Harvard Business School shares the lessons she learned that can be applied to writing, most notably: Believe that what you do is valuable.
Freelancing doesn’t always guarantee freedom—making a living outside of the literary world empowers many artists with health insurance, energy to write, and relief from the worry of wondering about your next check.
Tax season is coming up, but it doesn’t have to be intimidating. The author explains how writers can follow the rules to their advantage to protect their earnings.
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Robert Galbraith—author of the crime novel The Cuckoo’s Calling—is a pseudonym for J. K. Rowling; Brad Leithauser details the advantages of reading a poem backward; Nicholas Rombes revisits Shirley Jackson’s 1951 novel Hangsaman; and other news.
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The Writers’ Union of Canada will soon decide whether to admit self-published authors; playwright David Hare will adapt Katherine Boo's Behind the Beautiful Forevers for the London stage; a long-lost journal composed by poet W. H. Auden has been discovered; and other news.
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A. N. Devers looks at how the home of the Baltimore Ravens has treated the Poe House and Museum; the cover of fiftieth anniversary edition of Sylvia Plath's The Bell Jar has been lampooned; Benjamin Nugent considers the upside of writerly distraction; and other news